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The Soul of John Black Featured in Paste Magazine
posted February 24th at 10:56pm
The Soul of John Black
http://www.pastemagazine.com/blogs/whitman/2009/01/the-soul-of-john-black.html
Andy Whitman
January 30, 2009
Meet John "JB" Bigham, AKA The Soul of John Black. And hold the Marvin Gaye and Otis Redding comparisons. The latest crop of retro soul singers -- Anthony Hamilton, Amy Winehouse, Ricky Fante, Adele, Raphael Saadiq, James Morrison, Jamie Lidell, Sharon Jones -- invariably mine the sounds and mannerisms of Motown and Stax/Volt. It's understandable; that's the mother lode of soul music. But it's refreshing to encounter in Bigham a soul singer and songwriter who dials the Wayback machine to radically different eras. Like 1969 San Francisco and the proto-funk of Sly and the Family Stone. Like 1971 James Brown and the blaxploitation soundtracks of Curtis Mayfield and Isaac Hayes. Like 1983 Prince. Like the swamp boogie of 1968 Creedence Clearwater Revival. Like, God forbid, the country blues of 1927 Son House and Charley Patton.
To say that Bigham is heir to multiple traditions is a major understatement. A former member of Miles Davis' band, a cornerstone of the great funk-ska band Fishbone, and session man for everyone from Dr. Dre to Bruce Hornsby, Bigham has used his diverse musical background as a springboard for an exploration of the intersection of blues, rock, soul, and funk. He seamlessly merges influences and eras, and the results can be heard on his fine new album Black John, out February 17th on Electro Groove Records. The groove is, indeed, the thing. It's relentless, and it's enough to get this sedentary, couch-potato white guy off his backside and spasming in suburbia. Look, I try. The lyrics are inconsequential; what matters is the soul and funk, and Bigham brings it on every track. He's a fine singer, too, throwing in Godfather of Soul grunts and gospel melismas and pleading, sexually-charged asides that are worthy of Al Green.
about TheSoulofJohnBlack
The Soul of John Black is John "JB" Bigham, an adventurous artist who isn't afraid to take risks while pursuing his musical vision. His stage moniker is a name shrouded with an element of darkness and mystery, inspired by the 1976 cult film "J.D.'s Revenge.' JB declares, "I tend to like artists who lean toward the shadows and walk the edge and wanted my music to reflect that." He draws his inspiration from blues and soul pioneers of the past and stands as a true testament to the dynamic beauty and freedom of musical expression, which he strips down to the core - guitar, voice and exposed human emotion conveyed in sparse, soulfully captivating performances wrought with raw, spontaneous power.
JB's musical history boasts an impressive resume. He's written songs for Miles Davis and played percussion in the Davis group. His track "Jilli" is featured on the trumpeter's last studio album "Amandla," and he appeared on the Davis DVD, "Live in Paris," recorded at the 10th Paris Jazz Festival. Bigham also played guitar and keyboard for the pioneering rock-funk-ska band Fishbone for eight years, contributing songs, guitars, keyboards, background vocals and production expertise to several of their albums, and later toured as a side man and played on sessions with artists as varied as Eminem, Dr. Dre, Rosey, Joi, Nikka Costa, Bruce Hornsby and Everlast.
The Soul of John Black is a celebration of the African American musical heritage. On "Black John," JB masterfully combines soul, gospel, funk and hip-hop, while tracing its roots all the way back to its humble origins - the blues. JB infuses his uniquely crafted music with contemporary urban rhythms and hauntingly earthy acoustic slide guitar which at once pays tribute to a bygone era of such legendary figures as Leadbelly, John Lee Hooker and Muddy Waters, while boldly crossing over into new innovative territories and sonic frontiers. Backed by notable musicians Adam McDougal ..s (Black Crows, Macy Gray, Maroon 5, Nikka Costa), Oliver Charles on drums (Ben Harper, Rhythm Roots All-Stars), Scott Seiver on drums (Nikka Costa, Inara George), Jake Najor on drums (Carl Denson, Connie Price, Breakestra), Shawn Davis on bass (Beck, Nikka Costa), Davey Chegwidden on percussion (Rhythm Roots All-Stars, Bitter Sweet, Ghost Face Killer, Big Daddy Kane), and Bill Botrell on 2nd guitar (Grammy winning producer for Sheryl Crow, Shelby Lynne, and many others), The Soul of John Black has reached a new plateau; transcending the crossroads and arriving upon an unexplored intersection on the aural highway. It's soul music for a whole new generation.
“amazing (the harbinger of)… a whole new brand of soul." – Rolling Stone
"A testament to the strength of African American music and the undeniable influence of the blues... Bigham's anguished wail will grab your gut and turn it inside out." – Esquire Magazine
"...TSOJB have created a distinctive collection of polished, very hip tunes." – Billboard Magazine
"…a crisp, confident collection of soul, hip hop and rock that's redefined by right between the eyes vocals and guitar as well as, superb musicianship." - Wall Street Journal
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This is great stuff. Nice chill music.
March 26th at 1:18pmwhatup, JB... thanks for stopping by. you've got some real funky and soulful jams in up in here!
March 17th at 6:52pmThanks for the add - like your Songs and influences... KellyM :}
March 17th at 6:38amI'm diggen your sound i'm glad you came threw i realy like it your sound has a funk down south blues feel.
February 26th at 10:44am